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Power to the Performers
Having a dedicated monitor mix engineer can be expensive and running monitor mixing from FOH can be too demanding-- neither of these is ideal. What if every musician could create their personal monitor mix with a small dedicated mixer on-stage? That's what Personal Monitoring is all about!
Save time and energy by giving the control to the musicians! Personal monitors also allow for built-in effects, improving sound; built-in microphones, improving both communication and immersion; All controlled with a simplified user interface.
No More Menu-Diving
Configuring personal monitoring systems has been clunky and time-consuming in the past, but no longer. All channels on P24 are transferred with their labelling from the console through AES50 or StageConnect; giving you the time to dial in your mix.
Control each of the 12 stereo groups and mic input, using the 13 hardware faders on each personal mixer.
P24 actively communicates with the console and to the other personal mixers daisy-chained together. Even when using Ultranet, which can't transfer labelling data, P24's can all copy the configuration created on the first unit in the chain, simplifying setup. Less talking and more doing.
P24 Scales to You
No matter if you're using a single P24 to provide an artist's mix in your studio recording room, or you're deploying a large setup for an orchestra pit with several daisy-chained P24HUBs-- setup and configuration is always a breeze.
The P24HUB is the obvious choice for larger setups especially in touring applications. However, several P24 personal mixers can be daisy-chained without a hub. This is ideal when supporting smaller impromptu gigs.
Communication Made Simple
Communication between engineers and on-stage talent is vital for a smooth performance. With P24's StageTalk intercom system, individual channels for FOH, stage technicians and musicians can all communicate cohesively.
In a recording studio, P24's integrated mics can be used to communicate with the engineer outside the booth. In a live environment, an auxiliary mic and foot switch can be used to 'play the chorus again'. Regardless of the use-case, P24 has a solution for you.
| Product Name | Behringer P24 Stage Connect Personal Monitor Mixer |
|---|---|
| Brand | Behringer |
| MPN | 0609-AAM86-US1 |
What's in the Box?
- Behringer P24 Stage Connect Personal Monitor Mixer
- Super-intuitive monitor mixing and talkback solution, compatible with StageConnect devices such as the Behringer P24HUB or WING
- 12 stereo groups plus 1 local aux input enable swift balancing of personal mixes from stereo stem feeds
- 60-mm faders provide immediate access and uncluttered overview
- WING Reverb effect for adding space to dry input signals, virtually places the band in same room for musical interaction
- Built-in stereo ambience microphones to remove the sense of acoustic isolation with in-ear monitors
- Tilt-EQ in all channels and Main for easy 1-knob adjustment of the sound character
- Adjustable limiter allows for safe monitoring levels within sound exposure limits
- StageConnect 26x6-channel audio transmission at sub-milisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz, using a standard XLR cable (DMX cable recommended)
- StageTalk intercom system for communication between FOH, stage technician and musicians
- Stable operation range up to 40 m via DMX type XLR cable - standard microphone cable can be used for short connections
- Return channels allow personal mixes to be sent back to the P24HUB for connection to wireless IEM transmitters
- Analog stereo aux input for local sources such as a click track on 1/4" TRS
- External dynamic microphone input on 1/4" TRS for giving cues to bandmates or talking to the mix engineer
- Footswitch input on 1/4" TS for hands-free operation of Talkback
- Excellent high power output for use with low-impedance headphones and in-ears even in loud environments
- DC power supply allows daisy-chaining of more than two P24 personal mixers
- Integrated microphone stand clip, securely mounts to standard 5/8" mic stands
- Compatible to Behringer P16-MB and Midas DP48-MB mic stand adaptors (optionally available)
Connections |
|
|---|---|
| StageConnect HOST/Master | 1 x male |
| StageConnect CLIENT/Slave | 1 x female |
| Phones | 1/4" TRS, stereo |
| Line out | 1/4" TRS, mono |
| Aux in | 1/4" TRS, stereo |
| Footswitch | 1/4" TS |
| Talkback | XLR female |
Controls |
|
| Tone | ±12 dB tilt EQ |
Headphone Mix Parameters |
|
| Tone | ±12 dB tilt EQ |
| Reverb | OFF, -59 dB to +20 dB |
| Limiter | Threshold: 0 dB to -20 dB |
| Mid gain | -12 dB to +6 dB, semi-parametric |
| Mid frequency (Hz) | 100, 125, 160, 200, 250, 310, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3100, 4000, 5000, 6300, 8000, 9500 |
Power |
|
| Power consumption | 9 W |
| Mains connection | Phantom power over StageConnect or external power supply |
Dimensions/Weight |
|
| Dimensions (H x W x D) | 77 x 214 x 185 mm (3.0 x 8.4 x 7.3") |
| Weight | 1.08 kg (2.38 lbs) |
Behringer P24 Stage Connect Personal Monitor Mixer
Power to the Performers
Having a dedicated monitor mix engineer can be expensive and running monitor mixing from FOH can be too demanding-- neither of these is ideal. What if every musician could create their personal monitor mix with a small dedicated mixer on-stage? That's what Personal Monitoring is all about!
Save time and energy by giving the control to the musicians! Personal monitors also allow for built-in effects, improving sound; built-in microphones, improving both communication and immersion; All controlled with a simplified user interface.
No More Menu-Diving
Configuring personal monitoring systems has been clunky and time-consuming in the past, but no longer. All channels on P24 are transferred with their labelling from the console through AES50 or StageConnect; giving you the time to dial in your mix.
Control each of the 12 stereo groups and mic input, using the 13 hardware faders on each personal mixer.
P24 actively communicates with the console and to the other personal mixers daisy-chained together. Even when using Ultranet, which can't transfer labelling data, P24's can all copy the configuration created on the first unit in the chain, simplifying setup. Less talking and more doing.
P24 Scales to You
No matter if you're using a single P24 to provide an artist's mix in your studio recording room, or you're deploying a large setup for an orchestra pit with several daisy-chained P24HUBs-- setup and configuration is always a breeze.
The P24HUB is the obvious choice for larger setups especially in touring applications. However, several P24 personal mixers can be daisy-chained without a hub. This is ideal when supporting smaller impromptu gigs.
Communication Made Simple
Communication between engineers and on-stage talent is vital for a smooth performance. With P24's StageTalk intercom system, individual channels for FOH, stage technicians and musicians can all communicate cohesively.
In a recording studio, P24's integrated mics can be used to communicate with the engineer outside the booth. In a live environment, an auxiliary mic and foot switch can be used to 'play the chorus again'. Regardless of the use-case, P24 has a solution for you.
| Product Name | Behringer P24 Stage Connect Personal Monitor Mixer |
|---|---|
| Brand | Behringer |
| MPN | 0609-AAM86-US1 |
What's in the Box?
Behringer P24 Stage Connect Personal Monitor Mixer- Super-intuitive monitor mixing and talkback solution, compatible with StageConnect devices such as the Behringer P24HUB or WING
- 12 stereo groups plus 1 local aux input enable swift balancing of personal mixes from stereo stem feeds
- 60-mm faders provide immediate access and uncluttered overview
- WING Reverb effect for adding space to dry input signals, virtually places the band in same room for musical interaction
- Built-in stereo ambience microphones to remove the sense of acoustic isolation with in-ear monitors
- Tilt-EQ in all channels and Main for easy 1-knob adjustment of the sound character
- Adjustable limiter allows for safe monitoring levels within sound exposure limits
- StageConnect 26x6-channel audio transmission at sub-milisecond latency, 24-Bit uncompressed PCM, 44.1/48 kHz, using a standard XLR cable (DMX cable recommended)
- StageTalk intercom system for communication between FOH, stage technician and musicians
- Stable operation range up to 40 m via DMX type XLR cable - standard microphone cable can be used for short connections
- Return channels allow personal mixes to be sent back to the P24HUB for connection to wireless IEM transmitters
- Analog stereo aux input for local sources such as a click track on 1/4" TRS
- External dynamic microphone input on 1/4" TRS for giving cues to bandmates or talking to the mix engineer
- Footswitch input on 1/4" TS for hands-free operation of Talkback
- Excellent high power output for use with low-impedance headphones and in-ears even in loud environments
- DC power supply allows daisy-chaining of more than two P24 personal mixers
- Integrated microphone stand clip, securely mounts to standard 5/8" mic stands
- Compatible to Behringer P16-MB and Midas DP48-MB mic stand adaptors (optionally available)
Connections |
|
|---|---|
| StageConnect HOST/Master | 1 x male |
| StageConnect CLIENT/Slave | 1 x female |
| Phones | 1/4" TRS, stereo |
| Line out | 1/4" TRS, mono |
| Aux in | 1/4" TRS, stereo |
| Footswitch | 1/4" TS |
| Talkback | XLR female |
Controls |
|
| Tone | ±12 dB tilt EQ |
Headphone Mix Parameters |
|
| Tone | ±12 dB tilt EQ |
| Reverb | OFF, -59 dB to +20 dB |
| Limiter | Threshold: 0 dB to -20 dB |
| Mid gain | -12 dB to +6 dB, semi-parametric |
| Mid frequency (Hz) | 100, 125, 160, 200, 250, 310, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3100, 4000, 5000, 6300, 8000, 9500 |
Power |
|
| Power consumption | 9 W |
| Mains connection | Phantom power over StageConnect or external power supply |
Dimensions/Weight |
|
| Dimensions (H x W x D) | 77 x 214 x 185 mm (3.0 x 8.4 x 7.3") |
| Weight | 1.08 kg (2.38 lbs) |
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