- Details
- Features
- Reviews
OSCILLATORS
- Two newly designed, discrete VCOs per voice
- Continuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator
- Pulse width per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Triangle sub-octave generator (oscillator 1) per voice
- Low frequency mode (oscillator 2)
- Keyboard tracking on/off (oscillator 2)
- Oscillator slop amount for increased tuning instability, from subtle to extreme
MIXER
- Oscillator 1 amount
- Oscillator 1 sub-octave amount
- Oscillator 2 amount
- White noise amount
HIGH-PASS FILTER
- Two-pole, resonant, high-pass filter per voice
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
LOW-PASS FILTER
- Four-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
FILTER ENVELOPE
- Four-stage (ADSR) envelope generator
- AMPLIFIER ENVELOPE
- Four-stage (ADSR) envelope generator
- Velocity modulation of envelope amount
LOW FREQUENCY OSCILLATOR
- Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Clock sync (internal or external MIDI clock)
- Initial amount
- Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff
POLY MOD
- Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
- Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff
AFTERTOUCH
- Source: channel (mono) aftertouch with bi-polar amount
- Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount
CLOCK
- Master clock with tap tempo
- BPM control and display
- MIDI clock sync
ARPEGGIATOR
- Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
- One, two, or three octave range
- Up, down, up/down, random, and assign modes
SEQUENCER
- Polyphonic step sequencer with up to 64 steps and rests
EFFECTS
- Stereo analog distortion
- Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter
- Delay sync
- True bypass maintains fully analog signal path when digital effects are off
PERFORMANCE CONTROLS
- Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
- Backlit pitch and mod wheels
- Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
- Transpose controls for an 8-octave range
- Hold switch latches held notes on
- Polyphonic glide (portamento)
- Unison (monophonic) mode with configurable voice count, from one to all six voices, and key modes
- Preset switch: when off, the front panel is live; what you see is what you hear
- Mahogany Rhoads Body w/ Quilt Maple Top
- 25.5" Scale Oiled Maple Neck w/ 12"-16" Compound Radius Ebony Fingerboard
- Seymour Duncan Distortion TB-6 Bridge & Seymour Duncan Distortion SH-6N Neck Pickups
- Floyd Rose 1000 Series Double-Locking Tremolo (Recessed) Bridge & Jackson Sealed Die-Cast Tuners
- Case Not Included
Dave Smith Instruments Sequential Prophet-6 Synthesizer
OSCILLATORS
- Two newly designed, discrete VCOs per voice
- Continuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator
- Pulse width per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Triangle sub-octave generator (oscillator 1) per voice
- Low frequency mode (oscillator 2)
- Keyboard tracking on/off (oscillator 2)
- Oscillator slop amount for increased tuning instability, from subtle to extreme
MIXER
- Oscillator 1 amount
- Oscillator 1 sub-octave amount
- Oscillator 2 amount
- White noise amount
HIGH-PASS FILTER
- Two-pole, resonant, high-pass filter per voice
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
LOW-PASS FILTER
- Four-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
FILTER ENVELOPE
- Four-stage (ADSR) envelope generator
- AMPLIFIER ENVELOPE
- Four-stage (ADSR) envelope generator
- Velocity modulation of envelope amount
LOW FREQUENCY OSCILLATOR
- Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Clock sync (internal or external MIDI clock)
- Initial amount
- Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff
POLY MOD
- Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
- Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff
AFTERTOUCH
- Source: channel (mono) aftertouch with bi-polar amount
- Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount
CLOCK
- Master clock with tap tempo
- BPM control and display
- MIDI clock sync
ARPEGGIATOR
- Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
- One, two, or three octave range
- Up, down, up/down, random, and assign modes
SEQUENCER
- Polyphonic step sequencer with up to 64 steps and rests
EFFECTS
- Stereo analog distortion
- Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter
- Delay sync
- True bypass maintains fully analog signal path when digital effects are off
PERFORMANCE CONTROLS
- Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
- Backlit pitch and mod wheels
- Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
- Transpose controls for an 8-octave range
- Hold switch latches held notes on
- Polyphonic glide (portamento)
- Unison (monophonic) mode with configurable voice count, from one to all six voices, and key modes
- Preset switch: when off, the front panel is live; what you see is what you hear
- Mahogany Rhoads Body w/ Quilt Maple Top
- 25.5" Scale Oiled Maple Neck w/ 12"-16" Compound Radius Ebony Fingerboard
- Seymour Duncan Distortion TB-6 Bridge & Seymour Duncan Distortion SH-6N Neck Pickups
- Floyd Rose 1000 Series Double-Locking Tremolo (Recessed) Bridge & Jackson Sealed Die-Cast Tuners
- Case Not Included
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