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The Fender Quantum HD 8 is a professional recording interface engineered for large-scale projects, full-band sessions, and multi-instrument workflows. With MAX-HD mic preamps offering +75 dB gain, ultra-low-latency drivers, and high-performance 32-bit / 192 kHz converters, HD 8 delivers pristine audio capture and transparent recordings across a wide dynamic range.
Expanded I/O includes 16 ADAT channels, additional TRS outputs, and S/PDIF connectivity, making it ideal for studios with multiple microphones, instruments, and monitors. Front-facing Fender instrument inputs ensure guitars and basses sound natural, while Auto Gain and re-amp outputs simplify recording and tone experimentation.
Flexible DSP monitoring and loopback routing streamline streaming, podcasting, and multi-app recording. Full control via the Universal Control app or Fender Studio Pro enables precise configuration without interrupting your workflow. HD 8 scales with studio demands, providing an all-in-one solution for professional creators.
| Product Name | Fender Studio Quantum HD 8 USB-C Audio Interface |
|---|---|
| Brand | Fender |
| Condition | New |
| MPN | 2777700609 |
| UPC | 673454015090 |
| Shipping Option | Free Shipping to the Continental U.S. |
What's in the Box?
- Fender Quantum HD 8 USB-C Audio Interface
- DB-9 breakout cable
- 1.5M USB-C to USB-C cable
- Ultra-High-Fidelity 26 x 30 USB-C Interface – 32-bit / 192 kHz converters with MAX-HD preamps capture every detail.
- Expanded Digital I/O – 16 ADAT channels, S/PDIF, and ADAT preamp standalone mode for multi-instrument setups.
- MAX-HD Mic Preamps with +75 dB Gain – Transparent recordings for any microphone.
- Fender Instrument Inputs – Front-facing inputs optimized for guitar and bass.
- Auto Gain & Re-Amp Outputs – Fast setup and creative amp/pedal experimentation.
- DSP Monitor Mixer & Loopback – Stream, podcast, or create monitor mixes effortlessly.
- Universal Control & Studio Pro Integration – Remote preamp, phantom power, and routing control via mobile, desktop, or DAW.
- Professional Software Included – Fender Studio Pro perpetual license.
Electronics |
|
|---|---|
| Headphone Jack | Two – 1/4" TRS Female Stereo |
| Connectivity | USB-C® |
| Voltage | 120V |
| Phantom Power | +48 VDC |
Performance |
|
| Digital Audio Bit Depth | 32-bit |
| Digital Audio Dynamic Range | 124 dB |
Inputs |
|
| Instrument Inputs Dynamic Range | 111 dB (A-Weighted, Minimum Gain) |
| Instrument Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Instrument Inputs Gain Range | 75 dB |
| Instrument Inputs Maximum Level | +21 dBu (Unbalanced, Minimum Gain) |
| Line Inputs Dynamic Range | 118 dB (A-Weighted, Minimum Gain) |
| Line Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Line Inputs Gain Range | ± 10 dB |
| Line Inputs Impedance | 10K Ohms |
| Line Inputs Maximum Level | +18 dBu (Balanced, Minimum Gain) |
| Line Inputs Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Microphone Input Connection Type | XLR Female (Combo), Balanced |
| Microphone Preamp Dynamic Range | 116 dB (A-Weighted, Minimum Gain) |
| Microphone Preamp Equivalent Input Noise | -130 dBu (Maximum Gain, 150 Ohms, 20 kHz BW, A-Weighted) |
| Microphone Preamp Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Microphone Preamp Gain Control Range | 75 dB |
| Microphone Preamp Input Impedance | 1600 Ohms |
| Microphone Preamp Maximum Input Level | +18 dBu (Balanced, Minimum Gain) |
| Microphone Preamp Total Harmonic Distortion | 0.002% (1 kHz, Minimum Gain) |
Outputs |
|
| Headphone Outputs Connection Type | — |
| Headphone Outputs Dynamic Range | 118 dB (A-Weighted) |
| Headphone Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.3 dB (Unity Gain, Reference 1 kHz) |
| Headphone Outputs Impedance Working Range | 33 Ohms |
| Headphone Outputs Maximum Output | 11 dBu (50 Ohms) |
| Headphone Outputs Total Harmonic Distortion | 0.001% (1 kHz) |
| Line Outputs Connection Type | 1/4" TRS Female |
| Main And Line Outputs Dynamic Range | 123 dB (A-Weighted) |
| Main And Line Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Main And Line Outputs Maximum Level | +18 dBu (Balanced) |
| Main And Line Outputs Output Impedance | 51 Ohms |
| Main And Line Outputs Total Harmonic Distortion | 0.001% (1 kHz, +4 dBu) |
| Main Outputs Connection Type | 1/4" TRS Female |
Hardware |
|
| MIDI I/O | 5-Pin Female DIN |
| Word Clock I/O | BNC Connector, 4.5 Vpp @ 75Ω Load |
Fender Studio Quantum HD 8 USB-C Audio Interface
The Fender Quantum HD 8 is a professional recording interface engineered for large-scale projects, full-band sessions, and multi-instrument workflows. With MAX-HD mic preamps offering +75 dB gain, ultra-low-latency drivers, and high-performance 32-bit / 192 kHz converters, HD 8 delivers pristine audio capture and transparent recordings across a wide dynamic range.
Expanded I/O includes 16 ADAT channels, additional TRS outputs, and S/PDIF connectivity, making it ideal for studios with multiple microphones, instruments, and monitors. Front-facing Fender instrument inputs ensure guitars and basses sound natural, while Auto Gain and re-amp outputs simplify recording and tone experimentation.
Flexible DSP monitoring and loopback routing streamline streaming, podcasting, and multi-app recording. Full control via the Universal Control app or Fender Studio Pro enables precise configuration without interrupting your workflow. HD 8 scales with studio demands, providing an all-in-one solution for professional creators.
| Product Name | Fender Studio Quantum HD 8 USB-C Audio Interface |
|---|---|
| Condition | New |
| MPN | 2777700609 |
| UPC | 673454015090 |
What's in the Box?
- Fender Quantum HD 8 USB-C Audio Interface
- DB-9 breakout cable
- 1.5M USB-C to USB-C cable
- Ultra-High-Fidelity 26 x 30 USB-C Interface – 32-bit / 192 kHz converters with MAX-HD preamps capture every detail.
- Expanded Digital I/O – 16 ADAT channels, S/PDIF, and ADAT preamp standalone mode for multi-instrument setups.
- MAX-HD Mic Preamps with +75 dB Gain – Transparent recordings for any microphone.
- Fender Instrument Inputs – Front-facing inputs optimized for guitar and bass.
- Auto Gain & Re-Amp Outputs – Fast setup and creative amp/pedal experimentation.
- DSP Monitor Mixer & Loopback – Stream, podcast, or create monitor mixes effortlessly.
- Universal Control & Studio Pro Integration – Remote preamp, phantom power, and routing control via mobile, desktop, or DAW.
- Professional Software Included – Fender Studio Pro perpetual license.
Electronics |
|
|---|---|
| Headphone Jack | Two – 1/4" TRS Female Stereo |
| Connectivity | USB-C® |
| Voltage | 120V |
| Phantom Power | +48 VDC |
Performance |
|
| Digital Audio Bit Depth | 32-bit |
| Digital Audio Dynamic Range | 124 dB |
Inputs |
|
| Instrument Inputs Dynamic Range | 111 dB (A-Weighted, Minimum Gain) |
| Instrument Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Instrument Inputs Gain Range | 75 dB |
| Instrument Inputs Maximum Level | +21 dBu (Unbalanced, Minimum Gain) |
| Line Inputs Dynamic Range | 118 dB (A-Weighted, Minimum Gain) |
| Line Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Line Inputs Gain Range | ± 10 dB |
| Line Inputs Impedance | 10K Ohms |
| Line Inputs Maximum Level | +18 dBu (Balanced, Minimum Gain) |
| Line Inputs Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Microphone Input Connection Type | XLR Female (Combo), Balanced |
| Microphone Preamp Dynamic Range | 116 dB (A-Weighted, Minimum Gain) |
| Microphone Preamp Equivalent Input Noise | -130 dBu (Maximum Gain, 150 Ohms, 20 kHz BW, A-Weighted) |
| Microphone Preamp Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Microphone Preamp Gain Control Range | 75 dB |
| Microphone Preamp Input Impedance | 1600 Ohms |
| Microphone Preamp Maximum Input Level | +18 dBu (Balanced, Minimum Gain) |
| Microphone Preamp Total Harmonic Distortion | 0.002% (1 kHz, Minimum Gain) |
Outputs |
|
| Headphone Outputs Connection Type | — |
| Headphone Outputs Dynamic Range | 118 dB (A-Weighted) |
| Headphone Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.3 dB (Unity Gain, Reference 1 kHz) |
| Headphone Outputs Impedance Working Range | 33 Ohms |
| Headphone Outputs Maximum Output | 11 dBu (50 Ohms) |
| Headphone Outputs Total Harmonic Distortion | 0.001% (1 kHz) |
| Line Outputs Connection Type | 1/4" TRS Female |
| Main And Line Outputs Dynamic Range | 123 dB (A-Weighted) |
| Main And Line Outputs Frequency Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Main And Line Outputs Maximum Level | +18 dBu (Balanced) |
| Main And Line Outputs Output Impedance | 51 Ohms |
| Main And Line Outputs Total Harmonic Distortion | 0.001% (1 kHz, +4 dBu) |
| Main Outputs Connection Type | 1/4" TRS Female |
Hardware |
|
| MIDI I/O | 5-Pin Female DIN |
| Word Clock I/O | BNC Connector, 4.5 Vpp @ 75Ω Load |
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